![]() In my head I think that would fill in a lot of the space on its own, ignoring any modifications to the piano, but don't be afraid to experiment. ![]() Because the wind instrument and vocals don't play concurrently you don't have to worry about frequency overlap as much, and I think the blend in this section is particularly good frequency and harmonics wise. If you're looking for a final destination for the vocal EQ, try bringing it into some of the same space as the (clarinet?) at 3:10. You might also have to ride some automation to get the product you intend. dogbizkits had a great point about the dynamics in that the piano is relatively spread while the vocals are not so much. To download the software, you must provide a valid email address. Both are included when you install the package. ![]() T-RackS 5 Custom Shop works as both as a plug-in for your favorite sequencer/DAW and as a standalone application. As it is it's difficult to hear whether the piano or the vocals are the central focus of the piece (as a 'content' listener it's obvious, but technically the ear gets a bit confused). The T-RackS Custom Shop is incredibly easy to use. ![]() I think this would be a good candidate for some (light) usage of either a compressor or a limiter on the piano. I agree with other commenters about bringing up the body in the EQ on the vocals. ![]()
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